Beginning with the first comprehensive account of the discourse of appropriation that dominated the art world in the late 1970s and 1980s, Art After Appropriation suggests a matrix of inflections and refusals around the culture of taking or citation, each chapter loosely correlated with one year of the decade between 1989 and 1999. The opening chapters discuss, among other things, how the second world culture of the USSR gave rise to new visibility for photography at the Union's dissolution in 1989, and explore how genres of ethnography, documentary and travel are crossed with fictive performance and social improvisation in the videos of Steve Fagin. Copyright (C) Muze Inc. 2005. For personal use only. All rights reserved.